Literary Milk: Breastfeeding Across Race, Class, and Species in Contemporary U.S. Fiction

Resumen

Although all infant mammals require mothers' milk, very little breastfeeding appears in U.S. literature. Why is this ecological and foundational part of early life so frequently backgrounded or made invisible? and why would this topic be significant for feminist ecocritics? To explore these questions, this essay discusses the few texts in 20th century U.S. literature that depict breastfeeding, pairing them by era--John Steinbeck's Grapes of Wrath (1939) and Meridel LeSueur's The Girl (1939), followed by Toni Morrison's Song of Solomon (1977) and Beloved (1987)--and concludes with a contemporary novel, Emma Donoghue's Room (2010). All of these texts depict breastfeeding in conditions of captivity and restricted freedoms. Under such conditions, breastfeeding and breastmilk take on added urgency as food, as emotional and psychological nurturance, and often as self-worth for the nursing mother, whose milk seems to be the only material she can control. Narrative texts providing examples of free mothers, from diverse races, classes, and species, able to choose whether, where, and how long to breastfeed their own offspring, do not yet appear in U.S. literature, possibly because the conditions for such cultural and economic freedoms have yet to exist.